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8 January 1836 – 25 June 1912. Most renowned painters.

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KALF, Willem
Still-Life with Silver Bowl, Glasses, and Fruit sgy

ID: 07714

KALF, Willem Still-Life with Silver Bowl, Glasses, and Fruit sgy
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KALF, Willem Still-Life with Silver Bowl, Glasses, and Fruit sgy


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KALF, Willem

Dutch Baroque Era Painter, ca.1622-1693  Related Paintings of KALF, Willem :. | Still-Life with a Late Ming Ginger Jar | Still-Life with Silver Bowl, Glasses, and Fruit | Still-Life sg | Still-Life with Silver Bowl, Glasses, and Fruit sgy | Still-life (detail sg |
Related Artists:
BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.
Arthur Mathews
an American Tonalist painter who was one of the founders of the American Arts and Crafts movement 1860-1945
Francis Swaine
1720-1783,English painter and draughtsman. He worked as a messenger for a department of His Majesty's Navy in 1735 and seems to have been practising as a marine painter by the late 1740s, but there is little trace of his place in London's art world until his regular contributions from 1761 to the exhibitions of both the Free and Incorporated Societies of Artists. He was awarded the Society for the Encouragement of Arts' second prize for sea-pieces in 1764 and again in 1765. 'About the year 1770', reported Edwards, 'he painted the face of a wind-dial, with sea and ships, which he executed with a great neatness'






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